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Alan Parsons Project - Tales of Mystery & Imagination

Poe Index

Poe Chronology

1809, January 19
      Edgar Poe born in Boston, Massachusetts

1811, December
      After the death of his mother, Poe is adopted by Mr. & Mrs. John Allan

1815, July 28
      Poe and the Allans arrive in England. Move to Scotland where Poe enters Irvine Grammar School

1820, July 21
      Poe and the Allans arrive in New York

1821
      Moves to Fifth Street and attends Clark School until December 1822

1823, April 1
      Poe enters William Burke's School

1826, February 14
      Poe enters University of Virginia, Charlottesville and leaves on December 15

1827, March 24
      Leaves for Boston where on May 26, calling himself Edgar A. Perry, he enlists in the U.S. Army and is sent to Fort Independence in Boston Harbor. "Tamerlane and Other Poems" is published.

1829, January 1
      Promoted to Sergeant Major

February 29
      Poe's foster mother dies

April 15
       Poe leaves Army and goes to Washington

December
      "Al Aaraaf" is published

1830, June
      At West Point, the U.S. Military Academy

1831, February 21
      Poe leaves West Point

April
      "Poems by Edgar A. Poe" second edition published in New York

Summer
      Arrives in Baltimore to stay with Mrs. Maria Clemm and her daughter Virginia

1833, October 12
      Poe wins first prize in a competition run by The Baltimore Saturday Visitor with his "Ms. Found In A Bottle"

1834, March 27
      John Allan dies in Richmond, leaving Poe nothing

1835, August
      Poe moves to Richmond to become an assistant editor of the Southern Literary Messenger

October 3
      Mrs. Clemm and Virginia also move to Richmond

1836, May 16
      Poe and the 13 year old Virginia are married

1837, January 3
      He leaves The Messenger and goes to live in New York

1838, July
      "The Narrative of Arthur Gordon Pym" is published.

Summer
      He moves to Philadelphia

1839, June
      Poe is appointed assistant editor of Burton's Gentleman's Magazine

1840
       "Tales Of The Grotesque and Arabesque" is published. Poe leaves Burton's Gentleman's Magazine

1841, April
      Poe becomes editor of Graham's Magazine

July
      Treasury Department rejects his application to become a clerk in Washington

1842, January
      Virginia breaks a blood vessel while singing

May
      He leaves Graham's Magazine

1844, April
      Poe moves to New York; becomes assistant of New York Evening Mirror

1845, January
      "The Raven" is printed

March
      He is appointed one of the editors of The Broadway Journal

October
      He obtains post of proprietor of The Broadway Journal

1846, January 3
      The Broadway Journal closes and Poe moves to a cottage in Fordham

1847, January 30
      Virginia dies

1848, June 10
      He meets "Annie", Mrs. Nancy Richmond

September
      He meets "Helen", Mrs. Sarah Helen Whitman, to whom he proposes

November
      Proposes to Helen again, then goes to Boston where he attempts suicide

December 22
      A marriage agreement is drawn up, but the engagement is broken off a few days later

1849, June
      He goes to Richmond with ideas for a new magazine

July
      Arrives at a friends home in Philadelphia, in a state of delirium

July 13
      In Richmond he meets Sarah Elmira Royster whom he hopes to marry

August
      Poe lectures on "The Poetic Principle"

October 3
      In mysterious circumstances he is discovered unconscious in Baltimore and is taken to Washington College Hospital. He regains consciousness but is delirious and suffers much torment

Sunday October 7
      Edgar Allan Poe dies

He is buried in Baltimore.
 


"A Dream Within A Dream"

"All that we see or seem is but a dream within a dream"

-Instrumental-

Narration - Orson Welles
Bass - Joe Puerta
Drums - Stuart Tosh
Keyboards - Billy Lyall, Eric Woolfson
Electric Guitars - Ian Bairnson
Acoustic Guitars - David Paton, Ian Bairnson
Recorders - Billy Lyall
Backing vocals - David Paton
Recorded at Abbey Road - August 1975

Read A Dream Within a Dream



The Raven

"Quoth the raven 'Nevermore' as if his soul
in that one word he did outpour"

The clock struck midnight
And through my sleeping
I heard a tapping at my door
I looked but nothing lay in the darkness
And so I turned inside once more

To my amazement
There stood a raven
Whose shadow hung above my door
Then through the silence
It spoke the one word
That I shall hear for evermore

Nevermore
Thus quoth the raven, nevermore

And still the raven remains in my room
No matter how much I implore
No words can soothe him
No prayer can remove him
And I must hear for evermore

Quoth the raven, nevermore
Thus quoth the raven
Nevermore


Lead Vocals - Alan Parsons, EMI vocoder, Leonard Whiting
Bass - Joe Puerta
Drums - Burleigh Drummond
Additional drums - Stuart Tosh
Guitars - David Pack
Keyboards - Christopher North, Eric Woolfson
New guitar solo - Ian Bairnson
Choir - Bob Howes and The English Chorale
Orchestra arranged & conducted
by Andrew Powell
Recorded ar Mama Jo's Studio, North Hollywood and at Abbey Road, April 1975
Assistant Engineer at Mama Jo's - Tom Trefethen

Read The Raven



The Tell-Tale Heart

"'Villains!' I shrieked,
'dissemble no more! I admit the deed!
- tear up the planks! here, here! -
it is the beating of his hideouse heart'"


You should have seen him
Lying alone in helpless silence
in the night
You should have seen him
You should have seen his eye reflecting
in the light

So for the old man
Ashes to ashes, earth to earth and dust
to dust
No one will see me
No one with guilt to share, no secret
to trust

And he won't be found at all
Not a trace to mark his fall
Nor a stain upon the wall

Louder and louder
Till I could tell the sound was not
within my ears
You should have seen me
You would have seen my eyes grow
white and cold with fear

Heard all the things in Heaven and
Earth
I've seen many things in Hell
But his vulture's eye of a cold pale blue
Is the eye of the Devil himself

Take me away now
But let the silence drown the beating
of his heart


Lead vocals - Arthur Brown
Additional vocals - Jack Harris
Bass - David Paton
Drums, Timps, and Background Cymbals - Stuart Tosh
Guitars - Ian Bairnson
Keyboards - Billy Lyall and Eric Woolfson
Projection & New Synths - Alan Parsons
Choir - Bob Howes and The English Chorale
Orchestra arranged & conducted
by Andrew Powell
Recorded at Abbey Road, August 1975

Read The Tell-Tale Heart



The Cask of Amontillado

"The thousand injuries of Fortunato
I had borne as best I could, but
when he ventured upon insult I
vowed revenge"

By the last breath of the four
winds that blow
I'll have revenge upon Fortunato
Smile in his face I'll say "come let us go
I've a cask of Amontillado"

Sheltered inside from the cold of the
snow
Follow me now to the vault down below
Drimking the wine as we laugh at the
time
Which is passing incredibly slow

(What are these chains that are
binding my arms?)
Part of you dies each pasing day
(Say it's a game and I'll come to no
harm)
You'll fell your life slipping away

You who are rich and whose troubles
are few
May come around to see my point of
view
What price the Crown of a King on his
throne
When you're chained in the dark all
alone

(Spare me my life only name your
reward)
Part of you dies each brick I lay
(Bring back some light in the name of
the Lord
You'll feel your mind slipping away


Lead vocals - John Miles
Additional vocals - Terry Sylvester
Bass - David Paton
Drums - Stuart Tosh
Guitars - Ian Bairnson
Piano - Billy Lyall
Harpsichord - Eric Woolfson
New Synths - Alan Parsons
Backing vocals - Eric Woolfson
Choir - Bob Howes and The English Chorale
Orchestra arranged & conducted
by Andrew Powell
Recorded at Abbey Road, September 1975

Read The Cask of Amontillado



(The System Of) Doctor Tarr
and Professor Fether

"During the autumn of 18 - while on a tour
through the extreme southern provinces of France,
my route led me within a few miles of a certain
Maison de Sante, or private Mad House"

Just what you need to make you
feel better
Just what you need to make you
feel
Just what you need to make you feel
better
Just what you need to make you feel

At the far end of your tether
And your thoughts won't fit together
So you sleep light or whatever
And the night goes on forever
Then your mind change like the
weather
You're in need of Doctor Tarr and
Professor Fether

Even clouds seem bright and breezy
'Cause the livin' is free and easy
See the rat race in a new way
Like you're wakin' up to a new day
It's a wise thing if you're clever
Take a lead from Doctor Tarr and
Professor Fether

Find the end of a rainbow
Fly wherever the winds blow
Laugh at life like a sideshow
Just what you need to make you feel
better

Satisfaction altogether
Guaranteed by Doctor Tarr and
Professor Fether

Find the end of a rainbow
Fly wherever the winds blow
Laugh at life like a sideshow
Just what you need to make you feel
better

Don't stop bringin' the girls round
Don't start havin' a showdown
Keep on handin' the jug round
All that you need is wine and good
company


Lead vocals - John Miles
Additional vocals - Jack Harris
Bass - David Paton
Drums - Stuart Tosh
Guitars - Ian Bairnson, John Miles
Piano - Billy Lyall
Additional Keyboards - Eric Woolfson
Recorders - Alan Parsons
Crowd Noises - Abbey Road-Effects Library
New "Cathredral Organ" - Alan Parsons
Recorded at Abbey Road, September 1975

Read The System of Doctor Tarr and Professor Fether



The Fall Of The House
Of Usher

"With the first glimpse of the building
a sence of insufferable gloom pervaded my spirit."

Instrumental

(I) PRELUDE
Narration - Orson Wells
Orchestra arranged and conducted by - Andrew Powell
Bass - Les Hurdle

(II)ARRIVAL
Bass - David Paton
Drums and Percussion - Stuart Tosh
Guitars - Ian Bairnson
Keyboard loop - Eric Woolfson, Andrew Powell
Organ - Francis Monkman, Eric Woolfson
Projection and Synths - Alan Parsons
Thunder and Storm effects recorded outside Abbey Road Studio Two
during a freak storm, using a binaural "Dummy" recording head.

(III) INTERMEZZO
Orchestra arranged & conducted by Andrew Powell

(IV) PAVANE
String Bass - Darryl Runswick
Drums - Stuart Tosh
Acoustic Guitars - Laurence Juber, Kevin Peek
Harp - David Snell
Harpsichord - Francis Monkman
Cimbalom & Kantele - John Leach
Organ - Andrew Powell
Mandolin - >Hugo D'Alton
New Synth - Eric Woolfson

(V) FALL
Orchestra arranged & conducted by Andrew Powell
Projection and Synths - Alan Parsons

'Prelude','Intermezzo' and 'Fall' recorded at Kingsway Hall, London on October 10, 1975
Engineering consultant - Gordon Perry
Orchestra Leaders - David Katz and Jack Rothstein

'Arrival' and 'Pavane' recorded at Abbey Road in August and November 1975

Read The Fall Of The House Of Usher



To One In Paradise

"And all my days are trances,
And all my nightly dreams
Are where thy dark eye glances,
And where thy footstep gleams
In what ethereal dances
By what eternal streams"

IF I could see the sky above
And my mind could be set free
As wild white horses reached
the shore
I'd stand alone and oversee

And if the bush before me burns
Should I turn my eyes away
And still the voices I can hear
As clear to me as light of day

I believed in my dreams
Nothing could change my mind
Now I know what they mean
How could I be so blind

Cold sands of time
(Winds that blow as cold as ice
Sounds that come in the night)
Shall hide what is left of me
(Come from Paradise)

I've been through times when no
one cared
(Words that were mine)
I've seen clouds in empty skies
When one kind word meant more
to me
(Shall last as a memory)
Than all the love in Paradise

I believe in my dreams
Nothing could change my mind
Till I found what they mean
Nothing can save me now


Lead vocal - Terry Sylvester
Additional vocals - Eric Woolfson, Alan Parsons
Bass - David Stuart
Drums - Stuart Tosh
Electric Guitars - Ian Bairnson
Acoustic Guitars - Ian Bairnson, David Paton
Fender Rhodes & Glockenspiel - Billy Lyall
Choir - Westminster City School Boys Choir
Backing vocals - Jane Powell
Narration - Leonard Whiting
Recorded at Abbey Road, August 1975

Read "To One In Paradise"




The original multitrack masters were transferred from a Soundcraft 'Saturn' analog machine to a Sony 3324 DASH format 24 track recorder. The Album was partially re-recorded and remixed at "The Grange" via an Amek Angela console to a Sony 1630 system digital stereo master - May and June 1987


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